cofounder Miles Copeland III signed the Go-Go's. In a 1982 Rolling Stone interview, Valentine said: "IRS was where you went if you couldn't get a deal with a real label." On April 1, 1981, I.R.S. The only label that expressed interest was the indie label I.R.S. Carlisle believes this was because record executives were sexist and did not want to sign an all-female band. At a special showcase for A&R representatives at the Starwood, the Go-Go's didn’t get a single offer. Although their reputation continued to grow, they were unable to attract attention from major record labels. Around this time, the Go-Go's began to move toward a more pop rock-driven sound, influenced by the burgeoning new wave genre. Tensions between band members resulted in Bello and Olavarria leaving the Go-Go's and they were replaced by drummer Gina Schock and bassist Kathy Valentine. While on tour, the Go-Go's recorded an extended play for Stiff Records. The Go-Go's developed a reputation within the Hollywood punk scene and were invited to open for the band Madness on a UK tour. A few months later, Charlotte Caffey joined the band as the lead guitarist since she had experience writing music with other groups like the Eyes. Carlisle was the singer, Wiedlin played rhythm guitar, Olavarria played bass and the newly added Elissa Bello played drums. Although none of them actually knew how to play instruments, they quickly learned, and began playing in Hollywood nightclubs under the name the Go-Go's. The three attended the Sex Pistols' final performance in San Francisco in January 1978, and afterwards were inspired to form their own band. In the late 1970s, Belinda Carlisle, Jane Wiedlin, and Margot Olavarria met while attending punk rock shows in California. The title is a play on the European fairy tale " Beauty and the Beast". Critically acclaimed, it has been described as one of the "cornerstone albums of American new wave". The LP sold in excess of two million copies, and was RIAA-certified double platinum, qualifying it as one of the most successful debut albums of all time. The album stayed at the top for six consecutive weeks, and ranked second in Billboard's year-end Top 100 of 1982 (behind the self-titled debut album of Asia). After a long and steady climb, Beauty and the Beat reached number one in the album chart dated March 6, 1982, the week before "We Got the Beat" entered the Top Ten of the Hot 100. 2), initially released in 1980, but in a different version. Records label, the album reached number one on Billboard's Top LPs & Tape chart in March 1982, bolstered by its two big Hot 100 hit singles: " Our Lips Are Sealed" (no.
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